Appendix A: Tij-Spotting

A Screenplay; Performed at MCB Follies, University of California (Berkeley)
October 1996

Written by Pete Carlton and Russell Vance

RENTON.......................................................Pete Carlton
SICKBOY......................................................Eric Goedken
SPUD.........................................................Russell Vance
TIJ..........................................................Pete Carlton
INTERVIEWER 1................................................Pete Carlton
INTERVIEWER 2................................................Eric Goedken
THESIS COMMITTEE 1...........................................Pete Carlton
THESIS COMMITTEE 2...........................................Russell Vance
MUSIC........................................................Sarah McWhirter


INT. TIJLAB. DAY
       An empty stage, save for three chairs.  Two are on stage right facing 
the third on stage left.  These are for the interview scene.  

SCENE 1: INTRODUCTION

       Iggy Pop's "Lust for Life" blares....We stride onto stage.
       Sickboy robotically manipulates Eppendorf tubes/pipetman while Spud,
 wearing his glasses, gathers chemicals and mixes (K2CrO4+AgNO3? / Fe(CN)3. 
 A red bloody precipitate forms.
       Renton stands in middle and begins his monologue

RENTON
Choose life. Choose a job. Choose a career. Choose a family. Choose a big 
fucking television, choose washing machines, cars, compact disc players and 
electrical tin openers.

       Sickboy continues to pipet whilst Russell produces a small 
syringe and fills it with reaction product

Choose molecular and cell biology. Choose your PI's least favorite project. 
Choose a lab coat and matching goggles. Choose a set of pipetmen in a range of 
fucking volumes. Choose an insoluble aggregating aggravating piece of shite to purify. 
Choose an expression system. Choose to blame it all on dead enzyme. 
Choose your thesis committee.

       Russell rips off the tube from bunsen burner, 
wraps around arm, prepares to shoot up


Choose a gene with a funny name. Choose in situ hybridization, protein purification, antibody production, immunocytology, and getting color pictures so people pay attention. Choose to push your model all the way. Choose sitting at that desk reading mind-numbing, spirit-crushing Cell papers. Choose molecular biology. Choose life. Renton exits. Spud shoots up. SPUD But why would I want to do a thing like that? ... I chose not to choose research: I chose something else. And the reasons? There are no reasons. Who needs reasons when you've got heroin? SICKBOY He crosses over as he speaks People think grad school's about misery, desperation, death and all that shite. But what they forget, is the pleasure of it. Otherwise we wouldn't do it. After all, we're not fucking stupid, at least not that fucking stupid. Sickboy joins Spud shooting up SPUD When your experiments work you have only one worry: publishing. When they don't, you've suddenly got to worry about all sorts of other shite. Got no clone: can't get expression. Got a clone: expression is lethal. Can't raise antibodies: no chance of coprecipitation. Got an antibody: too much cross-reaction. SICKBOY You have to worry about contamination, temperature, the phase of the fucking moon, some strain of yeast that never fucking grows, your PI breathing down your neck and all the other things that really don't matter when you've got sincere and truthful results. Spud has collapsed. Tij enters, angry about the scene in front of him. TIJ What in the name of Kornberg is going on here? If you don't shape up right now we'll become...mediocre! How did a couple of lame ducks like you ever get into my lab? Tij and Sickboy freeze in place. Spud sits up. SPUD (In the style of a voice-over) Actually, getting in wasn't that difficult. Tij and Sickboy move quickly into the interviewers chairs. Sickboy is transformed into Interviewer 2 by quickly removing his labcoat to reveal a suit and thin black leather tie (not loose). He dons glasses and puts a pencil behind his ear. Meanwhile, Spud scurries off stage. SCENE 2: THE INTERVIEW Interviewer 1 and Interviewer 2 are seated across from an empty chair. Spud enters the stage and pauses (unnoticed by Int.1 and 2) to unfold a bit of aluminum foil that contains a dab of cocaine, which he promptly snorts. This is obviously powerful stuff. He then steps through an imaginary door and Int.1 and 2 look up. INT.1 Please, sit down. Spud sits down, but almost immediately bounces up. The two interviewers stare him back into his seat. He fidgets in the silence, waiting for the first question. Int.1 and 2 look at each other in disbelief. INT.2 Perhaps, Mr. Vance, you could tell us why you think you're qualified to be a graduate student here at Berkeley? SPUD Well, well, you see, it's all these great fucking ideas I've been having recently. Spud shakes his head in a futile attempt to clarify his mind. And those cells. I mean...they're interesting, right? INT.1 Yes, yes. Int.1 glances down at Spud's application. Ahh, I see that you went to Harvard, Mr. Vance. SPUD Yup, yup, Harvard. Nice place. A little uptight about hard drugs, but lots of trees, buildings, things, you know. And nice ivy. Very nice ivy. Pauses. Actually, I need to confess. I really went to Queen's University, in Canada, but I was worried you wouldn't have heard of it, so I just put down Harvard. But they're both schools, right? And we're all in this together, right? And I just wanted to put across the general idea rather than getting all hung up on the details. INT.2 Do you mean to say you lied on your application? SPUD Well, only to get my foot in the door. You know, to show initiative, like? INT.1 But your father is a noted lipid biochemist. There's no need for you to get your foot in the door, as you put it. SPUD Well, right, whatever you say. I mean, you're the man, the governor, the dude in the chair, like. INT.2 Ah yes, Mr. Vance. But thank you very much for your time; we'll be sure to let you know. Spud crosses the floor and thanks the two interviewers, shaking and kissing their hands. He leaves hurridly. Once he's out the door, the Interviewers get up and leave in the opposite direction. They confer. INT.1 What did you think? INT.2 Well, we'll make him an offer. But he'll probably end up going to UCSF. SCENE 3: I HATE GRADUATE SCHOOL INT . TIJLAB . DAY Spud and Sickboy, entering from opposite sides of the stage, are preparing to shoot up. Both are armed with absolutely enormous needles. SICKBOY (in the style of a voice-over) Well, it turned out that Spud decided he would rather come to Berkeley, and the three of us ended up cruising through our first year, relatively drug free. It wasn't until our second year that we made a healthy, informed, democratic decision to get back on junk as soon as possible. The reason? TAing was practically more than we could bear. Rents enters from the side, holding a student's exam that is covered in red ink (a D- is clearly visible). He's cursing. RENTON For fuck's sake, I've had it with these miserable pre-medical students. Can you believe that I actually had to tell one of them this morning that, no, he wasn't going to get partial credit for writing out the entire Krebs cycle when what I asked for was a diagram of the cell cycle. And I was forced to add the fact his parents were counting on him to become a neurosurgeon did not in any way alter my opinion of his ability to answer basic examination questions. SICK BOY In the process of wrapping plastic tubing around his arm, looking for a vein. I just hope that ten years from now, as I lay etherized on the surgical table, waiting for my blackened cancerous lung to be removed, that I don't look up and see, just as I lose consciousness, that one of my former shite-for-brains premeds has actually achieved his goal of becoming a medical doctor and is now bearing down on me with a carving knife. SPUD Brightly But, you know, it's not all bad. Rents and Sickboy can't believe their ears. Spud holds up an autorad that he has pulled out of his back pocket. I mean, for instance, look at this beautiful fucking autorad. Examine its clarity, its high degree of resolution, its apparent lack of background hybridization. Don't things like this just make you proud to be a graduate student? SICK BOY Pauses. Thinks about it. But answers plainly and emphatically. No. No, I hate being a graduate student. We're the lowest of the fucking low, the scum of the earth, the most wretched, servile, miserable, pathetic trash that was ever shat into civilization. Look, some of us hate premeds. But I don't. They're just wankers. We, on the other hand, are forced to teach wankers. We can't even pick a decent subset of humanity to waste our time arguing with. It's a shite state of affairs, and all the beautiful southern blots in the world will not make any fucking difference. Sickboy freezes in position. Rents and Spud narrate a voiceover as Born Slippy comes on over the speakers. SCENE 4: CONCLUSION RENTON But what could be done about those premeds? Our entire way of life depended on there being a steady supply of stressed out, nervous young victims eager to memorize, regurgitate, and promptly forget enough facts to enter the medical profession, for a chance at treating the preventable diseases that the western world has the luxury of catching after a long, productive life. SPUD Our only response was to keep cloning, and fuck the in vivo evidence, piling factor upon factor, TAF upon TAF, dissolving it all in a little n-propanol. Keep on going: Getting up. Working hard, scooping competitors, propelling ourselves with longing until the day we hand it in. RENTON And with that we made it through 5 and a half years of graduate school. Sickboy finally got it together and produced something that looked like it would pass for a thesis. Renton and Spud are suddenly the thesis committee. Sickboy produces a thesis. The committee looks it over, scratching their chins. THESIS COMMITTEE 1 Slowly and disbelievingly The translation chain reaction. TCR. Using.. reverse translatase, a novel enzyme you say you've found inTetrahymena , to amplify large quantities of protein from a small amount of template. Quite amazing! THESIS 2 I assume you've accounted for all the experiments you conducted while you were strung out on smack, right? SICK BOY Yes, well, if you'll just turn to page 87, uhh, well, it's there. Thesis 2 turns to the proper page, revealing in huge letters visible to the audience, "Yes Jeremy, I've already done that." THESIS 2 Is this supposed to be funny? Thesis 1 starts laughing. THESIS 1 Well, time to make the decision. They confer for a few seconds, then quickly, their faces light up. THESIS 2 Well, we're going to let you graduate! But first, if you would, as a formality, please sign this release form giving the Univerisity all the rights to TCR, and any of the proceeds, monetary and otherwise, which may result from its sale and marketing..just a formality, you understand. SICK BOY Hmm.. The action becomes slow-motion. The music increases in volume; Sick Boy reaches out to take the pen that Thesis 1 is holding out to him. The commitee's faces are contorted with greed, while Sick Boy is in a quandary. Just as he is about to sign, he shakes his head and mouths the word "No!". Motion resumes to its normal speed; the committee reels back; Sick Boy throws down the pen, grabs the thesis, and vents his anger. No! I'll not sign your release form! Fuck the University! I'm selling it to Genentech, where the real junk is! He walks off. The music resumes its former volume. RENTON (in the style of a voice-over) So why did we do it? I could offer a million answers, all false. The truth is that we're bad people, and the only reason we never sold out before was because no one ever offered. But from here on that's going to change. In the end we're going to be justlike you: the job, the family, the house in the Berkeley Hills, the car, the CD collection and state-of-the art stereo, giving talks, naming genes, last authorship on a twenty-page paper, the Birkenstocks, the pound of Peet's, pushing models, data not shown, genomes sequenced, getting by, looking ahead, to the day you die.

the end.