repercussions, Spring 1994, Vol. 3, No. 1

Front Matter PDF

Elisabeth Le Guin, “Uneasy Listening” PDF

Jennifer Rycenga, “The Uncovering of Ontology in Music: Speculative and Conceptual Feminist Music” PDF

Hugh de Ferranti, “Speaking of Yamashika: “the last biwa hoshi” and his many voices” PDF

Suzanne G. Cusick, “Gender and the Cultural Work of a Classical Music Performance” PDF

Contributors PDF

Back Matter PDF

 

 

 

 

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.