Volume 3, 2002
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SPECIAL FOCUS: Copies/Reproduction/Seriality

Philip Jenkins, Penn State University, USA:
"Catch Me Before I Kill More"—Seriality as Modern Monstrosity
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Carol Ann Muller, University of Pennsylvania, USA:
Covers, Copies, and "Colo[u]redness" in Postwar Cape Town
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Peter Shand, University of Auckland, New Zealand:
Scenes from the Colonial Catwalk: Cultural Appropriation, Intellectual Property Rights and Fashion
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DISCUSSION

Hillel Schwartz, Sixth College, University of California, San Diego, USA:
Obsessive-Compulsive Disorder: Comments on Cape Town Covers, Colonial Catwalks, and Getting Caught
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Diarmuid Ó Giolláin, University of Notre Dame/University College, Cork:
Copy Wrong and Copyright: Serial Psychos, Coloured Covers, and Maori Marks
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REVIEWS

Timothy Tangherlini, University of California, Los Angeles, USA
Forestillinger om "Den Andre"—Images of Otherness (Ytrehus, ed.)
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Sheri J. Tatsch, University of California, Davis, USA
On Biocultural Diversity: Linking Language, Knowledge, and the Environment (Maffi, ed.)
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Jon Donlon, Independent Scholar
On Holiday: A History of Vacationing (Löfgren)
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Sam Schrager, The Evergreen State College, Olympia, USA
When Law Goes Pop: The Vanishing Line between Law and Popular Culture (Sherwin)
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Barry Mauer, University of Central Florida, Orlando, USA
Georges Bataille: A Critical Introduction (Noys)
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Jessie Lawson, University of Missouri, Columbia, USA
The Telling (Le Guin)
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EDITORIAL BOARD AND STAFF
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